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This set of pieces performed by pianocircus and Bill Bruford uses two grand pianos, two keyboards and drums with live electronics thrown into the mix. It is sometimes delicate and sparse, and other times a giant rhythm section.
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Reviews:
‘Energetic and at times downright cheeky … as accessible as it is intellectual and as felt as it is thought’
Andy Robson, Jazzwise, 2009
‘Unequivocal beauty and genre-busting writing … transcending the contemporary classical realm … progressive, but in a completely different sense … Bruford is the ideal choice for Riley.‘
John Kelman, All About Jazz, 2009
‘Restless, intricate rhythms … absorbing and gently hypnotic. The avant garde shows its happy face.’
John Bungey, The Times, 2009
‘Takes the sound-world, gestures and techniques from classical, rock and jazz, and makes no apologies for inhabiting the cracks between all three.’
991 sleevenotes, 2009
‘Can and does groove like hell … at all times Skin and Wire operates on a high level of musical interest … one of the years most important fusion hybrid offerings.’
Gabblegate Music Review, 2009
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